The forward (no. 10, in red) is past the defender (no. 16, in white) and is about to take a shot at the goal. The goalkeeper will try to stop the forward from scoring a goal by preventing the ball from passing the goal line.
Forwards (also known as attackers) are outfield positions in an association football team who play the furthest up the pitch and are therefore most responsible for scoring goals as well as assisting them. As with any attacking player, the role of the forward relies heavily on being able to create space for attack.[1] Their advanced position and limited defensive responsibilities mean forwards normally score more goals on behalf of their team than other players.
Attacking positions generally favour irrational players who ask questions to the defensive side of the opponent in order to create scoring chances, where they benefit from a lack of predictability in attacking play. Modern team formations normally include one to three forwards. For example, the common 4–2–3–1 includes one forward.[2] Less conventional formations may include more than three forwards, or sometimes none.[3][4]
Brazilian striker Ronaldo (middle, in white) taking a shot at goal. A multi-functional forward, he has influenced a generation of strikers who followed.[5]
The traditional role of a centre-forward is to score the majority of goals on behalf of the team. If they are tall and physical players, with good heading ability, the player may also be used to get onto the end of crosses, win long balls, or receive passes and retain possession of the ball with their back to goal as teammates advance, in order to provide depth for their team or help teammates score by providing a pass ('through ball' into the box), the latter variation usually requiring quicker pace and good movement, in addition to finishing ability. Most modern centre-forwards operate in front of the second strikers or central attacking midfielders, and do the majority of the ball handling outside the box. The present role of a centre-forward is sometimes interchangeable with that of an attacking midfielder or second striker, however, especially in the 4–3–1–2 or 4–1–2–1–2 formations. The term centre-forward is taken from the earlier football playing formations, such as the 2–3–5, in which there were five forward players: two outside forwards, two inside forwards, and one centre-forward. The term "target forward" is often used interchangeably with that of a centre-forward, but usually describes a particular type of striker, who is usually a tall and physically strong player, who is adept at heading the ball; their main role is to win high balls in the air, hold up the ball, and create chances for other members of the team, in addition to possibly scoring many goals themselves. However, the two terms are not necessarily synonymous, with the target forward having developed into a more specialised role, while the centre-forward description is more broad, encompassing many types of forwards.[6]
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This article is about the genre of music. For other uses, see Soul music (disambiguation)
Soul music is a popular music genre that originated in the African American community throughout the United States in the late 1950s and early 1960s.[2] It has its roots in African-American gospel music and rhythm and blues.[3] Soul music became popular for dancing and listening, where U.S. record labels such as Motown, Atlantic and Stax were influential during the Civil Rights Movement. Soul also became popular around the world, directly influencing rock music and the music of Africa.[4] It also had a resurgence in the mid-to late 1990s with the subgenre neo-soul,[5] which added modern production elements and influence from hip-hop.
Catchy rhythms, stressed by handclaps and extemporaneous body moves, are an important feature of soul music. Other characteristics are a call and response between the lead vocalist and the chorus and an especially tense vocal sound.[6] The style also occasionally uses improvisational additions, twirls, and auxiliary sounds.[6] Soul music reflects the African-American identity, and it stresses the importance of an African-American culture. The new-found African-American consciousness led to new styles of music that boasted pride in being black,[7] and being such a creative genre of music, it emerged from the power struggle to increase black Americans' awareness of their African ancestry.[8] Soul music also combines different elements of music which includes gospel music, rhythm and blues and jazz.[9]
Soul music dominated the U.S. R&B chart in the 1960s, and many recordings crossed over into the pop charts in the U.S., Britain, and elsewhere. By 1968, the soul music genre had begun to splinter. Some soul artists developed funk music, while other singers and groups developed slicker, more sophisticated, and in some cases more politically conscious varieties.[10] Many soul artists gained popularity due to the domination of soul music in the R&B charts. Among these artists were Ray Charles, James Brown and the soul group the Temptations.[11] By the early 1970s, soul music had been influenced by psychedelic and progressive rock, among other genres, leading to psychedelic and progressive soul. The United States saw the development of neo soul around 1994. There are also several other subgenres and offshoots of soul music.
The key subgenres of soul include the Motown style, a more pop-friendly and rhythmic style; deep soul and southern soul, driving, energetic soul styles combining R&B with southern gospel music sounds; Memphis soul, a shimmering, sultry style; New Orleans soul, which came out of the rhythm and blues style; Chicago soul, a lighter gospel-influenced sound; Philadelphia soul, a lush orchestral sound with doo-wop-inspired vocals; as well as psychedelic soul, a blend of psychedelic rock and soul music.
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